{"id":8,"date":"2021-09-11T22:10:07","date_gmt":"2021-09-11T22:10:07","guid":{"rendered":"https:\/\/lietteremon.com\/?page_id=8"},"modified":"2022-04-24T22:46:18","modified_gmt":"2022-04-24T22:46:18","slug":"a-propos-de","status":"publish","type":"page","link":"https:\/\/lietteremon.com\/en\/a-propos-de\/","title":{"rendered":"About me"},"content":{"rendered":"
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photo : Danielle Gigu\u00e8re<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>

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Violinist and singer, Liette Remon has created shows and founded various ensembles that draw their inspiration from tradition (Fanfare Monfarleau, Bobelo, Talencourt, Histoires de femmes \u00e0 l\u2019ouvrage, Les Passeurs d\u2019airs, etc.). She also participates in various world music projects with the company Strada. In 2021, she received the title of Master of Living Traditions awarded by the Conseil qu\u00e9b\u00e9cois du patrimoine vivant.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n\n\t

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\u201cI learned the violin with my father R\u00e9ginald who had learned it from his jigger mother and from his grandparents Bernatchez from rang des 28 in Grande-Rivi\u00e8re in Gasp\u00e9sie. On my mother's side, at the Leblancs of St-Fran\u00e7ois-de-Pabos, between Chandler and Grande Rivi\u00e8re, my grandfather Diogenes and his 15 children all sang and played an instrument: organ, piano, violin, accordion and harmonica. It is not yet a professional career, but it is the exceptional terroir from which I come and which determined my passion for music.

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I left Gasp\u00e9sie to study violin and clarinet in Rimouski before completing a bachelor's degree in music education in Quebec City in 1998. Over the course of advanced training courses and collaborations, I discovered new musical families ( Ensemble Strada, Via Musique<\/em>) with whom I developed an expertise in ancient and medieval music on period instruments: fiddle, rebec, chalumeau and bagpipes as well as in traditional music from around the world.<\/p>\n

I have never ceased to be interested in the traditional music of the different regions of Quebec, its repertoire and the finesse of the playing of the bearers of tradition. Listening to the living as well as to lost giants (Louis \"Pitou\" Boudreault, Philippe Bruneau, Andr\u00e9 Alain, Jos Bouchard), I worked tirelessly to perfect myself, affirm my own identity as a fiddler and teach myself. . Concerned about preserving and transmitting, I published two collections of quaver tunes from the traditional Quebec repertoire and recorded several albums documenting my personal projects. Among these, Un p'tit air de famille <\/em>and Comt\u00e9 de Gasp\u00e9 Sud, <\/em> pay homage to anonymous Gasp\u00e9 fiddlers by highlighting both the pieces and ways of doing things learned in my line as those of the marvelous musicians (Cyr, Dub\u00e9, Castilloux) who surrounded us.<\/p>\n

Living from the practice and transmission of live music in Quebec requires constant activity and creativity. To achieve this, I have multiplied approaches and been part of many ensembles with diverse repertoires reaching audiences of all ages through educational activities, recordings and shows. I also founded five ensembles dedicated to traditional music from Quebec: Fanfare Monfarleau, Serre l'\u00c9coute, Le Tour de la Gasp\u00e9sie, Bobelo, Quatuor Talencourt<\/em>, which have shone on stage both in Quebec and in Europe. \u00bb<\/div>\n\t\t<\/div>

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2021<\/span><\/div><\/div>
2021<\/a><\/div><\/div>
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Ma\u00eetre de traditions vivantes – violon traditionnel<\/a>

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2021<\/div><\/div><\/div>\r\n\t\t\t\t\t

Ma\u00eetre de traditions vivantes – violon traditionnel<\/h2>\r\n\t\t\t\t\t
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2017<\/span><\/div><\/div>
2017<\/a><\/div><\/div>
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Laur\u00e9ate pour les prix du patrimoine<\/a>

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2017<\/div><\/div><\/div>\r\n\t\t\t\t\t

Laur\u00e9ate pour les prix du patrimoine<\/h2>\r\n\t\t\t\t\t
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De\u0301cerne\u0301s par la ville de Que\u0301bec dans la cate\u0301gorie Porteurs de tradition.  <\/p>\n<\/div><\/div>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div><\/div>

2014<\/span><\/div><\/div>
2014<\/a><\/div><\/div>
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Bourse en recherche et cr\u00e9ation du CALQ<\/a>

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2014<\/div><\/div><\/div>\r\n\t\t\t\t\t

Bourse en recherche et cr\u00e9ation du CALQ<\/h2>\r\n\t\t\t\t\t
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Pour mettre en musique des poe\u0300mes de Miqu\u00e9u Montanaro, pour un ensemble de cinq musiciens. \u00a0Projet Chansons de Provence.<\/p>\n<\/div><\/div>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div><\/div>

2013<\/span><\/div><\/div>
2013<\/a><\/div><\/div>
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Bourse de perfectionnement du CALQ<\/a>

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2013<\/div><\/div><\/div>\r\n\t\t\t\t\t

Bourse de perfectionnement du CALQ<\/h2>\r\n\t\t\t\t\t
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Pour un stage en technique vocale avec Allan Wright a\u0300 Paris.<\/p>\n<\/div><\/div>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div><\/div>

2010<\/span><\/div><\/div>
2010<\/a><\/div><\/div>
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R\u00e9cipiendaire Prix Innovation – Tradition, premi\u00e8re \u00e9dition<\/a>

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2010<\/div><\/div><\/div>\r\n\t\t\t\t\t

R\u00e9cipiendaire Prix Innovation – Tradition, premi\u00e8re \u00e9dition<\/h2>\r\n\t\t\t\t\t
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De\u0301cerne\u0301 par le Conseil que\u0301be\u0301cois du patrimoine vivant (CQPV) pour souligner l\u2019innovation et l\u2019originalite\u0301 d\u2019une pratique culturelle traditionnelle.<\/p>\n<\/div><\/div>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div><\/div>\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t<\/span>\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\r\n\t\t\t\t\t

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